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2019 Get Blood On Her Name 123Movies Free 146

Blood on Her Name
5.0 (93%) 499 votes
Blood on Her Name

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Cast - Bethany Anne Lind USA 7,4 / 10 star year - 2019 1 h 25Minutes. 2019 get blood on her name images. 2019 get blood on her name song. Rosamund should have won the Oscar for Gone Girl.

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Welp that was a good movie lol.

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They had a book like this but the daughter died and the family acted like the best friend of the girl is her. Its like american pie but... with wheel chairs. I am definetly reading the book before watching this masterpiece. The worst crowd ever. Finally my dude Dastmalchian is a leading man. First saw him in dark knight and can't wait to see him in Dune.

2019 Get Blood On Her name. YouTube. 2019 get blood on her name quotes. Love this trailer can't wait. Blood on Her Name starts with a murder. Maybe manslaughter. Or perhaps, something in between. All we know for sure is, when this thriller starts, Leigh Tiller ( Bethany Anne Lind) has a dead body to dispose of, a son to protect, and secrets to keep. And she’s completely out of her league, lacking the forensic skills and, worse, moral ambivalence to get the job done clean. A lowkey thrill ride that builds steady, quiet tension,  Blood on Her Name  thrives when it focuses on how utterly unprepared the average human is to do dirty deeds. Over the course of a tight 83-minute run time, director Matthew Pope (who also co-wrote with  Don M. Thompson) follows a fumbling everywoman trying to do the right thing, watching her devolve into a mess of conflicting stories, barely concealed panic, and resurfacing trauma. In her pre-corpse life, Leigh spent her days as the not-particularly-proud owner of an auto garage where her convict ex-husband used to do shady dealings. Saddled with that stigma and struggling to keep her humble business afloat, the single mother panics in her moment of crisis. With a dead body on her floor, she makes the regretful decision not to call the police and spends the next 80 minutes regretting that decision every step of the way. Image via Yellow Veil Pictures But it’s her first moment of regret that gets her in the most trouble. When she realizes the body belongs to a family, she can’t face the guilt of leaving them without answers. So she gives the body back, like a total clown. You know what they say about good intentions, and  Blood on Her Name makes for a refreshing thriller because the lead character constantly paves her own road to hell by consistently making terrible decisions. But for completely understandable reasons. She is, essentially, decent and that’s what dooms her from the start. Indies have long been home to solid thrillers; all you need is good performances, a tight script, intriguing mystery, and a solid sense of timing — all of which can be done of the cheap.  Blood on Her Name is right at home in that pantheon, lean and unadorned, but well-made, with a sharp eye for the small moments that can change, ruin, or end a life. The biggest problem is that indie thrillers are so prolific, it’s  really really  hard to make one that feels new.  Blood on Her Name never quite clears that hurdle. You’ve probably seen a few versions of this movie before. But for a few inspired moments in the scripting, there’s an undeniable familiarity to it all, and no matter how many see-through lies Leigh spins, you always have a good sense of where the film’s going from beat-to-beat. Fortunately, Pope does nice work baking that in, which means that if  Blood on Her Name  sometimes feels like re-treading familiar territory, it also conjures a steady sense of dread. You don’t want to go down that road because you know what’s waiting for you and it’s not good. And that feeling only intensifies as Leigh continues to pull the walls in on herself, building her own trap with each lie or spasm of honesty, both of which she always seems to deploy in the exact wrong moment. Pope also pulls some great performers out of his cast, and the film is at its best when it leans on their strengths, particularly as the threads weave together in the final act. Lind is subtle but compelling as Leigh; alternately icy and over-expressive with the slow-boiling panic of fear underneath.  Will Patton also gets a nice turn as her estranged father, the local sheriff whose position of power never quite offers the amount of comfort it should since he comes with his own heavy baggage.  Elisabeth Röhm also has some standout moments as the hard but grieving girlfriend of the deceased. Like the beats, the themes here will feel familiar to any fan of the genre. Crime is hard, humans are foolish and flawed creatures, revenge is messy, and guilt can be a killer. The classics.  Blood on Her Name is most effective when it digs into those themes and what they mean for the characters, and a bit less effective when it relies on the murder mystery angle. By the time we meet Leigh, the “why” doesn’t really matter. All she cares about is “what now? ” and the film absolutely delivers every time it focuses on that question. The actions themselves aren’t all that interesting, but the consequences are spectacular. A slow-burn thriller that eventually sparks into something special,  Blood on Her Name takes some patience. Not just because of the stillness and steady pacing, but because Leigh can be a downright moron about her circumstances. But honestly, that’s why I like the movie so much. Thrillers are all about putting average characters in over their heads, but rarely are those characters so devastatingly bad at crime as this poor woman. It’s actually a very endearing and refreshing character turn in the end; a good lady in a bad situation, with none of the skills it takes to get herself out of it with grace. And that feels more honest, too. Most of us aren’t Liam Neeson. We’d absolutely botch an attempted murder cover-up, just like she does, and it’s fascinating to watch as Leigh just keeps shoveling. That’s a lot more intriguing than another steely protagonist with shockingly good aim and it’s what keeps  Blood on Her Name a gripping watch, even through the weaker moments. It might not be a winning mystery, but it is an evocative story of crime and punishment, choice and consequence, cycles of violence, and human failing. Rating: B- Blood on Her Name  made its world premiere at the 2019 Fantasia International Film Festival.

I guess the crowd is not use to this music though.

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Nothing really new here, but it’s still good. How many movies have you seen where someone does something very bad, and then spends the rest of the film trying to cover it up, only to get into more and more trouble on the way? It’s a pretty tried and true plot. There isn’t anything exactly wrong with going that direction, obviously since we’ve seen it so many times. But it also makes it harder for such a story to make a mark for itself. That’s the essential problem facing Blood On Her Name. Matthew Pope’s modest film opens on Leigh (Bethany Anne Lind) hovering over a recently deceased body. She is clearly not happy about this turn of events. She wraps the body and takes it to a pond for dumping but her conscience gets the better of her and she decides to anonymously return it to the dead guy’s people rather than have them think he ran off. And really, her problems begin there. Not so much with the murder, but with the feeling bad about it. At only 83 minutes, there isn’t a ton to Blood On Her Name, but it takes a while to get going all the same. The first half-hour requires its protagonist to act shifty toward and lie to the entire support cast, making it hard to get into her corner. Its mystery structure doesn't help much either, as the audience is left guessing nearly as much as the other characters. It’s only once the plot opens up in the second act that things get interesting. The entire film rests on Lind’s shoulders, though she does get help from Will Patton in a nice supporting role. Lind is great in the film. She plays Leigh’s alternating iciness and warmth, as well as her many layers of tension and fear, very well, especially since she spends nearly the entire film lying to people. And I don’t think she’s supposed to be playing a smart character, which is the most interesting choice this film makes (and it could also be total conjecture on my part). It doesn’t seem all that hard to get away with murder in Leigh’s backwoods town. Yet she screws it up at every turn. But even then it’s not certain because everyone else is very stupid as well. It can be frustrating at times, watching all these missteps seemingly for the same of plot and tension, but by the time we fully understand the crime and how it actually happened, we’re more or less invested in Leigh’s plight. Oddly, Blood On Her Name reminded me most of a Sundance movie called The Death of Dick Long. Both are about pretty dumb people in a small town dealing with a death they’d like to keep secret. They mean well, but keep getting in their own way. The primary difference is Dick Long is a comedy filled with a variety of colorful characters who all kind of have their own thing going on. Blood On Her Name is deathly serious and focused only on one subject. That’s not a bad thing necessarily, but in this case, there is a sense of identity the film lacks as a result. Evan Saathoff Senior Editor Evan has been smartassing-up the Internet since 2008. His passions include dumb action movies, not-dumb action movies, Shakespeare, and Tyler Perry. While he claims to understand that people don't always get what they want, he nevertheless believes it would be “cool” if he could become more like Danny DeVito with age.

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